Sharinghula

My Aunt is a business minded person. Even working in a company she still manage a business of her own. She is running a coffee shop, her business runs very good having a great location where she attracts a lot of customers. Her place is near the schools, offices and different companies. Even having a lot of competitors still her coffee shops have more customers as time goes by. But different business strategies were done by her competitors they put a Wifi connections where students can bring their laptops and can have a free internet connection just by having a coffee in their shops.
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It is summer time again and I am looking on the Internet for some list of beach resort. Until I decided to go on Myrtle Beach Resort. I packed my things to prepare as early as I can hoping to be there tomorrow before the sun comes up. When I reached the resorts in Myrtle Beach the sparkling water in the beach caught my attention. I want to go immediately to the beach to refresh my body with the crystal water. But I have to take first my luggage in the room before I explore to the beauty of this beach. I was amazed to the staff of the hotel that I rent for two days.They are very hospitable and friendly in service. And their room is world class in setting. I take the Myrtle Beach hotel to see the view of the beach from the top. Suddenly I change my clothes to go for some golf experience. I was with a golf agent that will guide me in selecting every courses to lessons. After few hours of golfing, I returned to http://avistaresort.com to enjoy the sunset while drinking some champagne. This is life, that is all I can say. What more can I ask for? See for yourself and experience the greatness of summer.

The art of decorating and the art of creating sacred space start with the same elements, according to Mary Groves.7 As codirector of the Sacred Art of Living Center in Bend, Oregon, Groves is intimately involved with planning the ambience of programs and presentations as well as content. “Both decor and sacred space involve beautiful items,” she says. Both involve the use of color themes, fabrics, live plants, birds, or fish—and design, the manner in which they’re put together—to change a room.”
After completing an interior decorating course earlier in her life, Groves realized that the only people who could afford her service would be the wealthy. She says that idea turned her off:
“I wanted to do this for people who shop atWal-Mart. I wanted to go into somebody’s home and help them rearrange what they’ve already got.”
Working for years with Hospice, Groves realized by visiting people’s homes as a volunteer and bereavement coordinator that beyond the way a home is decorated, everyone has altars in their living spaces. We all display things that are important to us,” she says. Groves realized that the element of s/gnificance is what makes them not just decorations, but sacred objects. ‘Rather than putting my collection of mementos ortrophies on this shelf because I’m proud of them,” Groves says, ‘I recognize it’s more than thatThese things represent a lot of energy that I’ve put into Iife.They stand for who I am.The intention with which I place them make them more than just something to look at.They become an extension of me, an expression of my soul.”
Groves now creates altars and sacred spaces for educational workshop environments—the Art of Spiritual Discernment, the Sacred Art of Dying, and Taize Vespers worship, an interfaith prayer service. My belief is that all things are sacred,” she says. What we do with them either depletes us or inspires us to live in a better way.” Groves’s interior settings create a sense of God’s presence as well as beautiful backdrops that become centers of spiritual focus.
How might you transform the interior decoration in your home into sacred space? How might you create altars to God through your home?
• Pay attention to light, arrangement, and symbolism. An altar can be set up anywhere. It may even be carried with you in a
small box. just a little candle placed with care on a desk can transform practical space to a place of prayer
• Altars are made when you carefully arrange photographs of people you love or miss, items that represent places you’ve been, objects in which you’ve invested energy, colors that
have a particular significance.These may change the emotive
content of a room.
As Groves says, An altar is nothing more than a place to remember someone or something that is important to you.” It is a place to inspire you to live on and to live well.

In decor a fundamentally sensual response is at work with the spiritual. I found myself bringing earthy things into my home:
terra-cotta, iron, pebbles smoothed by river water, beach stones pocked by organisms and waves, spice-colored things like the red cinder on the roads where I live. I wouldn’t trade anything (anything!)—even convenience—for wood heat and firelight. If I buy jewelry, it is usually garnet and amber. I decorate with these too, hanging necklaces on pretty hooks or heaping bracelets in a crystal dish. Whenever something in a shade of blue was brought into my home, I found myself moving it around, then moving it out. Recognizing this pattern helped me learn more about myself
I read that some people need to be cooled down, others to be warmed up. I discovered that fire represents creativity while water represents activity and movement. Pinks and reds have long been associated with femininity, and blues with masculinity Investigating further, I recognized at last that having lived so long in a household of females (including all their female friends coming and going), my home harbors a lot of female energy—possibly an overload. Watching a random Home and Garden TV program, I learned that blues and the color black must be used to anchor reds. Now I’ve planted such anchors in my living spaces: a dark blue throw over the sofa, a carpet incorporating dark blue triangles with burgundies, a blue satin housecoat on the wall in my bedroom.
My goal is to create an artful journal of place and history in my home. That does not mean a “pulled together” decor that communicates a particular style or offers a coherent look. Flaws let in light. Imperfections and all, my home will reflect that which is most meaningftil for me, peace and a lively sense of fun. Why not have both? Home is where you live the life you really want, says Jane Alexander, author of Spirit of the Home. There are no perfect lives and there are no perfect homes, she explains, concluding that a home is made numinous by the love and feeling we invest in it.5
Frank Lloyd Wright believed that architecture is the master art form, and he reinvented it according to his own vision. Designing and building 769 buildings in his lifetime, both monumental and intimate, Wright saw that the space where people live would make the people who inhabit it different. He sometimes stipulated interior design for his homes as well, right down to where each table and chair should be placed.
Wright’s view of art was described by historian William Cronon:
“An artist . . . transforms nature by looking at nature, passing it through the soul, and in the expression… something more natural emerges. Which is as close as we get to God.”6
Indeed. Our homes and the sacred art of living in them are a link between heaven and earth. Invite God in.

As an experiment, I write questions for myself and tuck them into vases and pitchers, under candlesticks, and in books: What does my home want? What kind of person is my home inviting me to be? What concrete steps might take me there? What does my sofa want to wear? What messages do the walls want to pass along? If I could do one thing different this year, what would it be?
I will allow myself to live into the answers, educated by a rural existence close to nature, where weathered things mingle with new. Wear and tear is part of the charm. My windows don’t want to dress up, for instance. My fireside chair requests contours that hug and feel plush with wear of soft-on-the-skin upholstery. My walls ask for a dash of the theatrical: a colorful hat on the antler rack, a bright painting hung upside down.
My house is filling itself with symbols of where it wants to go—clutter-free, for one thing. It does not want to be overly attached to the past. That would imply fearing the future won’t bring anything as meaningful as what has gone before. Sentiment is often just a different kind of materialism that only seems less inane. My home will always be a work in progress.
Some things never change, of course, but very few. Among these, empty space in a room is universally essential. White space, as it is called in graphic design, leaves a place for personal interpretation and for emotional response to be processed. Along with light, empty space can enhance the sacred feel of an interior more efficiently than

A glimpse into a couple of pages of my three-dimensional scrapbook reflects recent changes in my life:
• I found that I preferred furniture to be arranged at diagonals. Afterward I read that doing so is an antidote to disharmony collecting in corners. (Does that mean I’m doing the right thing, or that I should work on the disharmony in my home? This has become an interesting question for me to ponder and may lead to more changes.)
• I had a delightfully animated goldfish for years—until he leap to his death one day. Since then, without conscious connection to the goldfish, I played with the idea of painting my front door red. I read that according to feng shui, the ancient art of “placement,” a goldfish or a red door invites prosperity Wouldn’t that be nice?
• Ever since I can remember, my shelves have served as little altars where I place icons like the lava rock from my hike to the top of Black Crater or mosaic pieces picked up along the Apian ‘Way near Caesarea. Recently I learned that rocks and stones are elemental symbols of Saint Patrick’s Celtic Christianity.

Artful interiors reflect your saga: your personal history, family tradition, and ethnic culture. The decorating choices you make usually are determined by what is happening in your life and what you want to happen. “A person’s home should be like a three-dimensional scrapbook,” says art gallery director Greg Guelda. When you allow your interiors to evolve, when you make even subtle changes in your living space as you do in your life, that re-creates what you will experience as well. questions are pertinent: Where did you travel this year? How were you influenced by the terrain and the customs? Will this be reflected in your home next year? What changes occurred in your family? How did you celebrate differently? What new traditions did you start? What books did you read and classes did you take? What new thoughts and ideas were generated by these? What kinds of objects, colors, and design will reflect this in your rooms? How will all these changes influence how you will live and what you will do differently in your life and family next year?